Kitt, 65, gives herself totally to the role and clap to turn off the lights before the rodeo starts, Marcus asks if it can be darker, the line isn't serious but reveals how seriously willing he is.īut the promotion is given to Jacqueline, played by the breathtakingly sexy Robin Givens. Later, he spends a night with the president of the agency Lady Eloise (Eartha Kitt) counting on a casting couch promotion. They're too admirative of Marcus to see the problem: being as much a sexual object as the women he objectifies. They're outsiders who don't understand his reaction but then again he's the Alpha-male while Gerald pushes the platonic button so hard it always propels him into friend-zone and Tyler didn't have sex in the 90s (the film is from 1992). The 'feet' aftermath is discussed with his two buddies Gerald (David Alan Grier) and Tyler (Martin Lawrence). It's an interesting comment on how image is a double-edged sword for both sexes, while more of a burden for women. But take it for someone who worked in that racket, this is a woman's world, as image-awareness is largely considered a female trait, so for all his masculine act, Marcus got entrapped in the cult-of-image. Indeed, advertisement is all about attentiveness to image or packaging, and so the man regards his preys as 'objects'. This is neither a gag, nor a hint at a foot fetish but a revealer of the unconscious overlapping of his trade with his relationships. Then a quick stare on her feet while she's sleeping reveals ugly soles calling for immediate dumping. Yes, Marcus is always on the prowl but his perfectionism is rather impressive: he could have the girl in his bed but he plays it so smooth again he ends up in hers. One ellipse takes us to him decorating his house with the cautiousness of a caterer and ignoring the insult of his neighbor (Tisha Campbell) who keeps warning new girlfriends about the predator. The trick could work by earning him a number but it works so well she gives hers. His character-establishing moment occurs when he improvises a lost-dog scenario by buying a leash on the spot, Lela Ronchon falls in his trap. A lesser movie would've made him arrogant and detestable but Marcus plays in a whole other league, taking women as seriously as any part of his professional endeavor. And from that starting point, it creates a whole new outlet for romantic comedies whose tropes were codified by Meg Ryan or Julia Roberts movies.Īnd in this seemingly implausible world, Eddie Murphy plays Marcus, the smooth-talking womanizer who can get any girl. This is not the first of its genre: Spike Lee built his reputation by portraying African-Americans in narrative realms outside the usual dictated tropes, but director Reginald Hudlin and writer Barry Blaustein went even further by exploring the world of glam, cosmetics agency, marketing, female power and reversed the roles with white people playing comic reliefs and women dominating men it's "The Cosby Show" meeting "Working Girl". Several other popular character actors and actresses make appearances here too.Reviewed by ElMaruecan82 8 / 10 After "Harlem Nights", another under-appreciated Eddie Murphy gem.įirst, let's credit "Boomerang" for what it is: an all-Black cast movie not centered on urban crime, drugs, racism, hood etc. Murphy is absolutely hilarious in his role as a player who gradually learns to get lessons in treating women right and Halle Berry has a early leading film part as another work colleague who eventually comes between the Murphy/Givens love affair. Marcus naturally feels that she will be his next target for romantic using and gets more than he ever bargained for when she winds up being the first woman ever who can see through his tricks and try to get back at him for it (hence the title). One day, an attractive young woman (Robin Givens) becomes the advertising company's new boss. He goes around proudly reporting the previous night's results each morning to his friends (David Alan Grier, Martin Lawrence). Marcus is quite happy with having this rather low lifestyle and way of treating women. Murphy portrays Marcus Graham, a New York advertising executive who is known by many people throughout New York for being a notorious player, a man who will date a woman, get her into bed by the end of the first date, judge her by the lovemaking and then dump her. After a terrible 1991 loanout to Hollywood Pictures for the weak comedy "The Distinguished Gentleman", Eddie Murphy returned to Paramount the following year and gave one of his all time best and funniest performances in this romantic comedy with a twist.
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